How did Boston come to host the first concert ever performed in what’s now the United States? Why was Boston resistant to the idea of a concert until almost 60 years after they became common in our ancestral city of London? When did Puritan Boston relax its rules and customs enough to allow public performances of secular music? Who brought the idea of charging for admission to a musical performance to colonial Boston, and what artistic legacy did he leave behind here? Listen now to find out!
Tag: Music
Peace in Boston After the Civil War (episode 204)
Since last week’s show was about Boston’s 1851 Railroad Jubilee, which was an enormous celebration at a time when the nation was in the midst of a rush toward civil war, it seemed appropriate to discuss the Grand Peace Jubilee this week. Held in Boston in 1869, when the war was still a raw wound on the American psyche, the Peace Jubilee was a musical spectacular unlike anything the world had ever seen. Composer Patrick Gilmore hoped to bind the country together and help it heal… and if he happened to get rich in the process, that would just be icing on the cake. This week’s show also revisits another peacetime memory of the Civil War in Boston. In 1903, after the pain of the Civil War had dulled, Boston gathered at what is now the “General Hooker Entrance” to the State House to dedicate a statue to the highest ranking general from Massachusetts during the war.
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John Brown’s Body (episode 166)
The most popular song of the Union Army during the Civil War was inspired by the most hated man in America, it borrowed the tune from an old church hymn, and it was first sung right here in the Boston Harbor Islands. In this week’s episode, learn about the double meaning behind the title of the song, its holy and profane lyrics, and the tragic history of the “Hallelujah Regiment” who made it famous. The 12th Massachusetts Volunteer Infantry Regiment marched out of Boston in 1861 with 1040 men and a song in their hearts, but when they returned three years later, they numbered just 85, and they had vowed never to sing their famous song again.
Over the River and Through the Wood (episode 160)
We know the song “Over the River and Through the Wood” as a Christmas carol, but it was originally titled “The New England Boy’s Song about Thanksgiving Day.” Despite the song’s quaint themes of traditional New England holiday cheer, the woman who wrote it was anything but traditional. Medford native Lydia Maria Child had been a pioneering children’s author, but her increasingly radical positions on abolitionism, women’s rights, and freethinking jeopardized her earning power and helped galvanize a movement. Happy Thanksgiving, everyone!
Continue reading Over the River and Through the Wood (episode 160)
Boston’s Rock n Roll Riots (episode 149)
Boston has never needed much of an excuse to riot. Over almost four centuries, we’ve had political riots, racist and xenophobic riots, and plenty riots that seem to be about nothing at all. Of all the things Bostonians could choose to riot over, a rock and roll show might just be the most frivolous of all. And yet Boston, like many other cities, has a rich history of riots and near-riots at rock concerts. If you take enough excited young people and pack them into a tight enough space, with with enough hormones (and quite possibly booze or drugs) coursing through their veins, it doesn’t take much of a spark to set off the powderkeg. From Chuck Berry to Led Zeppelin, and from the Rolling Stones to Green Day, we’re looking into the causes and consequences of some of the most iconic melees in Boston’s rock and roll history.
Founding the BSO (episode 139)
Boston has long been known as the Hub of the Universe, but it’s also a hub of world class arts institutions. One of those institutions is the Boston Symphony Orchestra. This week, we’re looking at the founding of the BSO and the construction of its iconic home, Symphony Hall. We’ll discuss the characters that brought the BSO and Symphony Hall to life, as well as the remarkable features of the concert hall, known for its near-perfect acoustics.
BPL Bonus Episode: Grand Peace Jubilee
Join us at the Boston Public Library to celebrate the 150th anniversary of the Grand National Peace Jubilee held in Copley Square in 1869. The Peace Jubilee was a week-long musical celebration of the Union victory in the Civil War. It was a concert of unprecedented scale, performed before an audience of up to 50,000 in a purpose-built Coliseum in the Back Bay that was one of the largest buildings in the world. People came from far and wide to take in the spectacle, including President Ulysses S Grant and many other dignitaries. The climax of the show was a piece by Verdi called the Anvil Chorus. Jubilee director Patrick Gilmore conducted 10,000 vocalists, who were backed by 1000 instrumentalists, a battery of cannons, a convocation of church bells, a custom made bass drum eight feet in diameter, the world’s largest pipe organ, and a company of 100 Boston firefighters carrying sledgehammers and pounding anvils in unison.
To help celebrate the 150th anniversary of this musical spectacular, the Associates of the Boston Public Library are throwing a party at the Copley branch of the BPL on March 29. Nikki and I will be giving a brief talk discussing who Patrick Gilmore was, how he conceived of the enormous Coliseum where the Jubilee was held, and what the concert was like. Boston’s poet laureate Porsha Olayiwola will give a reading, and the keynote address will be delivered by Theodore C. Landsmark. The highlight of the evening will be a musical performance by a brass band from the New England Conservatory of Music, featuring some of the same arrangements that were performed in 1869, complete with firemen hammering anvils.
If you’d like to join us at the BPL on Friday, March 29, make sure to pre-register. The event is free, but you have to pre-register to get in. Doors open at 7pm, and the program begins at 7:30. There will be a cash bar.
Our description of the Grand Peace Jubilee originally aired as episode 102.
Jubilee Days (episode 102)
In 1869, an eccentric entrepreneur and musical visionary built one of the largest buildings in 19th Century Boston. It was a concert hall with twice the capacity of the modern TD garden, and it was built to house the largest musical spectacular the world had ever seen up to that point. It was the Boston Coliseum, built to house the Grand National Peace Jubilee celebrating the end of America’s Civil War.
Astral Weeks: A Secret History of 1968, with Ryan Walsh (Ep70)
This week, Ryan Walsh joins us to discuss Boston in 1968, the James Brown concert that might have prevented a riot, a cult that took over Roxbury’s Fort Hill, the strange history of LSD in our city, and a musical movement called the Bosstown Sound. Most of all, though, we will discuss his book Astral Weeks, a Secret History of 1968 and the Van Morrison record that inspired it.
Continue reading Astral Weeks: A Secret History of 1968, with Ryan Walsh (Ep70)
Episode 35: The Boston Symphony Orchestra in World War I
With a partial “Muslim Ban” in place, it’s important to remember that vilifying “enemy aliens” is one of the darkest chapters of our nation’s history. A hundred years ago, Americans were all too willing to imprison or even deport their neighbors of German descent. Here in Boston, the preeminent director of the Boston Symphony Orchestra was affected, along with almost a third of the orchestra’s musicians.
Continue reading Episode 35: The Boston Symphony Orchestra in World War I